Mishima Yukios Yūkoku (Patriotismus) – Performativität im Text und Textualität im Film

  • Rebecca Mak (Autor/in)

Abstract

Because Mishima Yukio anticipates his own suicide in this short story from 1960, Yūkoku has always had a special position within his œuvre. By comparing the prose text with the  movie Yūkoku released in 1966, which Mishima himself directed, staged and played the main character in, I will show how the narrative differs within the two types of media and how each piece functions. I argue that the text’s performativity and the film’s textuality are the reason why it was possible for Mishima to address such an anachronistic topic in the 1960s without provoking negative responses. Furthermore, I will show that Mishima’s own suicide is part of the text’s performativity and has influenced the reception of the text to an extent that makes it impossible for readers to differentiate between text, film and author.

Statistiken

Last Weeks
KW
Downloads
Current Year
2018
Downloads
Prior Year
2017
Downloads
All Years
Downloads
Logo OA-Statistic
Veröffentlicht
2014-04-16
Sprache
de
Akademisches Fachgebiet und Untergebiete
Japanologie; Literaturwissenschaft
Forschungsansatz, -methode oder -verfahren
Performativität literarischer Texte
Themen
910.268
Schlagworte
Mishima Yukio; Japanese fiction--Shōwa period; 1926-1989--History and criticism; Yûkoku; Performativität; Performanztheorie; Performative (Philosophy)